DIGITAL program
Thank you for being a part of the Houston Chamber Choir’s performance of From Darkness to Light at South Main Baptist Church!
On this digital program you will find info about our organization as well as any additional information about this program, guest artists, staff, and more.
We’re so glad you are here!
houston chamber choir is a professional ensemble dedicated to increasing the awareness, appreciation, and esteem of choral music and musicians through performance, outreach, and education.
Artistic leadership
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robert simpson
FOUNDER & ARTISTIC DIRECTOR
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betsy cook weber
ARTISTIC DIRECTOR DESIGNATE
Gather 'Round
Gather 'Round
UP NEXT…
gather ‘round
st. luke’s
In 1638, Gregorio Allegri composed a setting of Miserere mei, Deus (Psalm 51) for the Sistine Chapel. The apocryphal story is that the Vatican allowed there to be only three copies in existence, and they were locked away for safe-keeping so that no one could copy or perform the work. Fast forward to 1764-65, when a young Mozart heard a performance of Allegri’s composition, went back to his inn, and flawlessly copied it from memory.
Fast forward again, this time to 1989, when Estonian composer Arvo Pärt set the same text. Pärt’s Miserere is described as one of his “most dramatic and contrasting pieces…” From these two pieces of darkness, we move to hope and light, working our way through a Latvian “Plaudite, Psallite” and American spirituals, including Thomas Dorsey’s “Precious Lord.” The concert closes with the gorgeous “Amazing Grace,” arranged by Ēriks Ešenvalds.
encore!
immediately following the concert
In 1638, Gregorio Allegri composed a setting of Miserere mei, Deus (Psalm 51) for the Sistine Chapel. The apocryphal story is that the Vatican allowed there to be only three copies in existence, and they were locked away for safe-keeping so that no one could copy or perform the work. Fast forward to 1764-65, when a young Mozart heard a performance of Allegri’s composition, went back to his inn, and flawlessly copied it from memory.
Fast forward again, this time to 1989, when Estonian composer Arvo Pärt set the same text. Pärt’s Miserere is described as one of his “most dramatic and contrasting pieces…” From these two pieces of darkness, we move to hope and light, working our way through a Latvian “Plaudite, Psallite” and American spirituals, including Thomas Dorsey’s “Precious Lord.” The concert closes with the gorgeous “Amazing Grace,” arranged by Ēriks Ešenvalds.