Welcome to the 22nd annual Hear the Future Festival, always a highlight of the year for us. This afternoon we will enjoy three of our area’s finest choirs and experience their extraordinary musicianship under the guidance of their gifted conductors.
Only the most unusual circumstance would prevent my attendance at this important occasion. That circumstance has occurred as a result of the Houston Chamber Choir’s Grammy nomination for Best Choral Performance. Marianna and I are, at this moment, attending Grammy events in Los Angeles. Whatever the outcome of the final voting, I am deeply honored that our work has been recognized in this way.
I want to thank Emily Jenkins, this year’s Chamber Choir Choral Conducting Intern, for conducting both the Parker Advanced Chorus and the Chamber Choir in our absence. And, once again, I am indebted to Sally Schott and Eddie Quaid for their guidance and leadership in planning the festival, and for serving as masters of ceremony this afternoon.
Robert Simpson
Houston Chamber Choir, Artistic Director
The Cullen Trust for the Performing Arts Artistic Director Chair
Kaitlin DeSpain enjoys a varied career as an educator, conductor, performer, and clinician. As an educator, Kaitlin has served as the Choral Director at middle schools and high schools throughout West Virginia, Kentucky, and Texas, where she has directed concert choirs, pop choirs, and taught courses in music history, music theory, and piano. Kaitlin also frequently appears as a clinician and presenter for teachers and music education students. As a conductor, Kaitlin has worked with a wide variety of ensembles including the University of Houston University Chorus, University of Houston's Soundscape, the University of Kentucky Chorale, University of Kentucky Women's Choir, the Houston Symphony Chorus, and the Symphony of Southeast Texas Chorus. Kaitlin also has experience as a church choir conductor, where her ensembles regularly performed major works and special music. As a performer, Kaitlin has extensive experience with an array of ensembles including collegiate, community, church, and symphony choirs. Kaitlin has sung with the Marshall University Chamber Choir and University Chorus, the University of Kentucky Chorale and Women's Choir, The Renaissance Singers, The Lexington Singers, the West Virginia Symphony Chorus, the Symphony of Southeast Texas Chorus, the Houston Symphony Chorus, and most recently with the University of Houston Concert Chorale.
Kaitlin DeSpain is beginning her second year of doctoral studies at the University of Houston studying with Dr. Betsy Cook Weber and Dr. Jeb Mueller. She received her Master of Music in Choral Conducting from the University of Kentucky under the tutelage of Dr. Jefferson Johnson and Dr. Lori Hetzel and her Bachelor of Music Education degree from Marshall University.
Choral Conducting Intern
About the Composer
Composer Sarah Kirkland Snider writes music of direct expression and vivid narrative that has been hailed as “rapturous” (The New York Times), “groundbreaking” (The Boston Globe), and “poignant, deeply personal” (The New Yorker). Recently named one of the “Top 35 Female Composers in Classical Music” by The Washington Post, Snider’s works have been commissioned and/or performed by the New York Philharmonic; San Francisco Symphony; National Symphony Orchestra; Detroit Symphony Orchestra; Philharmonia Orchestra; the Birmingham Royal Ballet; Deutsche Grammophon for mezzo Emily D’Angelo; percussionist Colin Currie; vocalist Shara Nova; eighth blackbird; A Far Cry; and Roomful of Teeth, among many others. The winner of the 2014 Detroit Symphony Orchestra Lebenbom Competition, Snider’s recent projects include Forward Into Light, an orchestral commission for the New York Philharmonic inspired by the American women’s suffrage movement; Mass for the Endangered, a Trinity Wall Street-commissioned prayer for the environment for choir and ensemble; and an opera on 12th-century polymath St. Hildegard von Bingen, commissioned by Beth Morrison Projects. The 22/23 season will see world premieres for Renée Fleming and Will Liverman; Decoda Ensemble; and the Emerson String Quartet, in their final commission, to premiere on their farewell tour. Penelope and Unremembered, her two genre-defying LP song cycles, earned critical acclaim from The New York Times, The Boston Globe, The Washington Post, The Los Angeles Times, Gramophone Magazine, and Pitchfork, among others. In Fall 2020, Nonesuch Records and New Amsterdam Records co-released Snider’s third LP: Mass for the Endangered, performed by English vocal ensemble Gallicantus, to wide critical acclaim. In Fall 2022, Nonesuch Records and New Amsterdam Records will release The Blue Hour, a collaborative song cycle with composers Rachel Grimes, Angélica Negrón, Shara Nova, and Caroline Shaw for vocalist Shara Nova with A Far Cry string orchestra, on text by Carolyn Forché. A founding Co-Artistic Director of Brooklyn-based non-profit New Amsterdam Records, Snider has an M.M. and Artist’s Diploma from the Yale School of Music, and a B.A. from Wesleyan University. Her music is published by G. Schirmer.
Loop38 is a boundary-pushing, artist-driven new music ensemble based in Houston, Texas, that aims to build community around innovative, stimulating, and culturally relevant musical experiences. Since their debut in 2016, Loop38 has performed a wide range of works by local composers, young and upcoming voices, and globally established artists. Frequenting a variety of neighborhoods throughout Houston, Loop38 has performed in venues such as the Rothko Chapel, the Turrell Skyspace at Rice University, the Galveston Artists Residency, the Silos at Sawyer Yards, the Live Oak Friends Meetinghouse, MATCH, and the Archway Gallery.
Essential to Loop38 is the desire to curate unique programs through collaborations with composers and artists of other disciplines. Past partnerships have involved the Performing Arts Houston, Houston Contemporary Dance Company, Rice University Theater Department, Apollo Chamber Players, Kinetic Ensemble, WindSync, the University of Houston's Blaffer Art Museum, Musiqa, and several artists-in-residence at the Sawyer Yards.
About Loop38
On the Program
Mass for the Endangered
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Kyrie eleison lalala
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Gloria in excelsis lalala
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Alleluia lalala
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lalala
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lalala
Horizons
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LYRICS
LYRICS
LYRICS